![]() ![]() Ce passage du bruit à la clarté signale aussi une transition du spiritualisme à la spiritualité. #THE BLEEDING EDGE CRITICISM PLUS#En se référant à la théorie de Peter Rabinowitz sur la fin des romans, ce travail propose qu’à la conclusion de ses textes, Pynchon adopte un ton plus urgent, plus grave que dans le reste de ses romans habituellement caractérisés par le pluralisme et la polyphonie. Il s’agit principalement ici de s’intéresser à la façon dont l’auteur conclut ses romans. Cet article entend étudier la réponse humaine et humaniste de Pynchon face à ces forces eschatologiques. Plus que tout autre auteur américain, Pynchon a ainsi révélé à ses lecteurs le visage d’un futur post-humain. Focusing on his endings reveals an enduring humanism at the core of Pynchon’s work that can fuel further study in the age of terror, surveillance, domination, and dehumanization.ĭans son œuvre, qui s’étale sur six décennies, Thomas Pynchon décrit un monde pluriel réduit à la mécanisation, l’automatisation et le contrôle. But the novel concludes with an extended meditation on family love and female friendship, in a way that conveys Pynchon’s source of hope. This essay focuses on how this move transpires in Bleeding Edge, a novel that presents, potentially, the culmination of historical-eschatological movements toward reduction and domination. Even though possibilities are diminishing, and the end seems near, there remains the opportunity for communion, shared vulnerability, family, and friendship. This move from noise to clarity is a move from spiritualism to spirituality. Referring to Peter Rabinowitz’s theory of endings, this essay argues that at the conclusion of his novels, Pynchon takes on a voice that speaks more urgently than the pluralism and polyphony that permeate his pages. It does so by examining how Pynchon concludes his works. This essay seeks Pynchon’s human(e) response to these eschatological forces. In doing so he has done more than any American author to reveal to readers the posthuman future. ![]() ![]() That fact, along with the immense power of medical corporations and their lobbyists, puts the American consumer in great danger.In work spanning six decades, Thomas Pynchon has depicted a plural world reduced to mechanization, automation, and control. Director Dick's premise, documented with precision, is that current methods employed by the FDA for approval of medical devices aren't stringent enough to protect the public. Stephen Tower, an orthopedic surgeon whose own replacement hip resulted in cobalt poisoning, becomes an important advocate for due diligence. In each case, they have been permanently damaged or have had to undergo multiple surgical procedures. #THE BLEEDING EDGE CRITICISM MOVIE#Primarily, the movie follows several women who had contraceptive devices or mesh implants for urinary tract disorders. In addition, the filmmaker spends time on cutting-edge robotic "surgeons" (daVinci). Director Kirby Dick, notable director of other documentaries (e.g., The Hunting Ground, which dealt with campus rape) focuses upon three devices: a contraceptive implant (Bayer's Essure), hip replacement material (DePuy Synthes), and mesh implants (Johnson & Johnson) for gynecological use. THE BLEEDING EDGE uses interviews, visual aids, and news footage, as well as scenes from the personal lives of its subjects, to bring an important issue to the public. Some footage shows placards at demonstrations that read "F-k Bayer." One nurse utters "Holy crap." While the movie will have little interest for kids other than mature teens who are intrigued by such subjects, it's an informative, often disturbing, look at an issue that impacts everyone. Viewers can expect graphic descriptions of medical procedures, resulting complications, and candid discussions of negative effects on lifestyle and sexual activity. Corporations such as Bayer and DePuy Synthes, makers of some of the devices, declined to be interviewed for the film. The film acknowledges that all medical procedures have risks, but in this film, an errant government watchdog, the FDA, allows the marketing goals of corporate entities/lobbyists to supersede the long-term well-being of patients and their families. It has a strong message, which uses testimony from patients, doctors, and other professionals. Parents need to know that The Bleeding Edge is a frank, illuminating film for adults about failures of the FDA and medical community to carefully vet new medical devices and track long-term consequences of their implementation. ![]()
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